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Eve Holness A2 Media Studies

(Post 15) DVD Cover

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October 14, 2017

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(Post 30) Planning- Props

November 23, 2017

The props we need: - wooden bow and arrow - piano - floating lanterns - bath - car - picture frame Wooden bow and arrow We like the idea of having a wooden bow and arrow as a prop for Herbie to use as a toy because it shows that despite things not being great at home he is still young and still has the imagination of any other child his age. It should be fairly simple to make so shouldn't be too time consuming. At the end of our music video we want it to be this bow and arrow that gives the audience the realisation of the connection between the boy in the video and the artist playing the piano. Grand Piano Our song is a piece of piano music so therefore we want to have our performance aspect of our video of the 'artist' playing the piano. We want the piano to be in a big empty room with windows behind it and we know of a few places we could potentially go to film these scenes. We want to keep the room simple to make the audience focus on the m...

(Post 43)Final costume and make-up

January 13, 2018

No changes have been made to the costume and make-up since the planning post so we are working from that. We still want to use the same style of make up and costumes because it gave a successful feel to the video.

(Post 34) Planning- Directorial Style

November 27, 2017

Shutterstock, one of the internet's largest sources of stock media of all types, put together a tribute to 5 of the most famous American film directors today; Wes Anderson, David Fincher, Quentin Tarantino, Alfonso Cuarón and Terrence Malick. All the footage demonstrates the different directing styles the film directors are so well known for. For example, Wes Anderson the director of Moonrise Kingdom, The Royal Tenenbaums, and The Grand Budapest Hotel, has a distinct colour palette that links everything from a the production design to the outfits. His frames are known to be kept stationary, preferably in straight-on fashion making the shots feel as if they are part of a painting which most directors usually avoid because it prevents the scene from taking on a three-dimensional feel. David Fincher , the director of films such as Gone Girl and Fight Club, integrates impossible camer...